85 years ago on January 6, 1939, a German-Jewish immigrant and passionate Jazz fan named Alfred Lion produced his first recording session in New York City founding what would go on to become the most iconic and longest-running Jazz label in the world. For 85 years Blue Note Records has represented The Finest In Jazz, tracing the entire history of the music from Hot Jazz, Boogie Woogie, and Swing, through Bebop, Hard Bop, Post-Bop, Soul Jazz, Avant-Garde, and Fusion, and—after being relaunched by Bruce Lundvall in 1984—has remained the leading label dedicated to documenting today’s vibrant and creatively thriving Jazz scene under the leadership of current President Don Was, who took the helm in 2012.
Marking the 85th Anniversary of Blue Note Records, July through November will see the release of a limited series of coloured vinyl, available exclusively to brick and mortar Indie stores. These opaque blue 180g all-analog vinyl reissues in standard packaging, with OBI strip are mastered by Kevin Gray from the original master tapes. The run of ten titles presents some of the most iconic Blue Note masterpieces by Jazz legends Art Blakey, Horace Silver, Lee Morgan, Hank Mobley, Wayne Shorter, Herbie Hancock, Grant Green, Kenny Burrell, Dexter Gordon, and Cannonball Adderley.
Lee Morgan’s magnum opus The Sidewinder—recorded in 1963 and release in 1964—was both a comeback and a coronation. The prodigious trumpeter had debuted on Blue Note in 1956 at the age of 18, but personal problems in the early-60s forced him off the scene temporarily. His rebound recording turned out to be The Sidewinder, an assured and energetic set of 5 indelible Morgan originals featuring tenor saxophonist Joe Henderson, pianist Barry Harris, bassist Bob Cranshaw, and drummer Billy Higgins. The album became his biggest commercial success fueled by the irrepressible title track.
More than any other album in the canon of Art Blakey & The Jazz Messengers, 1958’s Moanin’ — featuring the great drummer with trumpeter Lee Morgan, tenor saxophonist Benny Golson, pianist Bobby Timmons, and bassist Jymie Merritt —was the perfect crystallization of the band’s bluesy, soulful sound, and it still stands today as perhaps the most quintessential hard bop recording of all-time.
